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Delhi Crime – Honest & In Your Face!

A heinous crime has taken place in the capital city of New Delhi, a young woman has been barbarically violated and her boyfriend has escaped with some injuries right in the heart of a bustling metro. It doesn’t take time for the first responders to comprehend the sensitivity of this brutal act which is perpetrated by 6 disgusting individuals in a moving bus. One of the challenges for DCP Vartika Chaturvedi (a brilliant Shefali Shah) is to assemble a task force already on the brink of breakdown from a paucity of funds and lack of infrastructure to a shortage of manpower, to deal with the situation. In all their efforts to apprehend the criminals at the earliest, the law enforcement officers find themselves in a vicious tug of war with both the enraged public, a biased media and some politicians who would walk any length to fix the blame squarely on the department and the “security lapses”. That the police force serves its citizenry diligently and with the utmost integrity to curb anti-social activities despite their unspeakable conditions is part of the narrative of Netflix’s newest original TV-series called Delhi Crime. The storytelling has such truthfulness and bitterness to it that I couldn’t watch it without wiping tears. Thankfully, unlike the other police drama, the unfortunate Powder, the makers have confirmed that Delhi Crime will be an anthology series with the same characters.

In all this, as a cat-and-mouse game is unravelling, a team headed by an investigator named Sudhir Kumar (Gopal Dutt Tiwari) is on its way to the nab one of the culprits in Rajasthan, he’s having an interesting conversation in the vehicle on the implications of a diverse Indian society. Although divided by class, it is at the pinnacle of global economic development on one hand but fighting abject deprivation and illiteracy on the other. His profound explanation for the justification of horrific crimes against females signals a larger implication for an entire generation of Indians to come. Read on.

Scenes from Delhi Crime
Scenes from Delhi Crime (2019) S1E3 (Courtesy Netflix)

ड्राइवर: सर, क्या आप ने इससे पहले ऐसे कभी कुछ देखा है?
सुधीर कुमार: अरे बहुत कुछ देखा है.
ड्राइवर: नहीं Sir. मतलब, हां हां, crimes तो बोहोत है पर ऐसा नहीं कोई किसी के साथ ऐसे कैसे कर सकता है ?
सुधीर कुमार: Simple है यार. Economics है. अमीर और गरीब के बीच का फर्क जितना बढ़ेगा crime भी उतना ही बढ़ेगा। क्या है, अमीरों की वजह से अब काफी पैसा आ गया है society में, लेकिन वह गरीबों तक पोहोचता नहीं है। तो वह छीनने की कोशिश करते है, जिसकी वजह से अनबन पैदा होती है। Normal है, सारी दुनिया में यही हो रहा है. ऊपर से हमारे यहां तो बोहोत ज्यादा अनपढ़ youth है। Sex Education है नहीं लेकिन Internet पे free porn है, जो उनके मासूम दिमागो पर असर डालते है, उन्हें समझ नहीं आता क्या करे। वह औरत को एक चीज़ की तरह देखने लगते है और चाहते है वह सब उनकी ज़िन्दगी में भी हो। नहीं मिलता तो छीनने की कोशिश करते है, बिना अंजाम की परवा किये। खोने के लिए वैसे भी कुछ नहीं उनके पास।
ड्राइवर: Simple है…. hmmm…. और Sir, आप को यह सब कैसे पता?
सुधीर कुमार: हर दो हफ्ते में घर जाता हूँ ना, काफी लम्बी drive है, तो सोचने के लिए काफी टाइम होता है मेरे पास।

Driver: Sir, have you ever seen anything like this before?
Sudhir Kumar: Seen too many like this.
Driver: No…I mean, yeah, there are many violent crimes, but not like this. How can someone do this to another person?
Sudhir Kumar: It’s simple, it’s economics. The bigger the gap between the rich and poor, the more the crimes. You see, the rich have brought more money into society but it’s not reaching the poor, so they try and take it. The result is more strife in society. It’s normal, it’s happening all over the world. Add to that the explosion of uneducated youth here, they have no sex education but get free porn online…which affects their adolescent brains. They don’t know how to interpret it. They objectify women and wish they could have that in their lives. If they don’t get it, they take it, with no regard for the consequences. After all, they have nothing to lose.
Driver: It’s simple…hmmm…and how do you know all this, Sir?
Sudhir Kumar: Every two weeks, I go home, it’s a long drive, I get a lot of time to think.

Share Your Gifts, And Be Creative, Says Apple

With the festival season just around the corner, it’s the time of the year to ‘Share Your Gifts’ with loved ones, and you could be forgiven for considering this as just another headline for a TV commercial. This is a stupendous effort and the newest holiday spot with all the warmth & love from Apple’s creative depository, helmed by an animation studio called Buck along with the agency, TBWA\Media Arts Lab. It’s also interesting because the title song “Come out and play” was written by Los Angeles singer/songwriter Billie Eilish, a 16-year-old prodigy who, according to Wikipedia, has been writing songs on her Mac since she was 11!

Share Your Gifts - AppleIt’s an account through the eyes of a lonesome lass with a secret penchant for creativity and her companion dog as the only one who knows & values her innate talent and who eventually albeit creatively, of course, forces her to come out of her hiding. In all this, I was astonished to see how Apple has taken fancy to Pixar-inspired storytelling for the first time! The past commercials from Apple have resorted to numerous graphical treatments in making visually stylised product campaigns though animation not being a prominent theme on that list so far. While the tagline ‘Share Your Gifts’ is a beautiful wordplay for acknowledging not just the sentiment of giving in the festive season but also for energising & sharing creative material using the power of Apple’s great products. A company that has always championed the cause of the creative arts community worldwide yet again communicating its unequivocal stand with this fabulous ad, and dare I say, the folks at Pixar would be so pleased to see their artistic journey as an inspiration for the design of this spot. Also, there’s a moral for everyone that creativity is yearning to come to life only if you could use your artful imagination, so go ahead, surprise yourself and your peers. “Don’t hide” and dream on!

[perfectpullquote align=”right” bordertop=”false” cite=”” link=”” color=”” class=”” size=””]You see a piece of paper
Could be a little greater
Show me what you could make her
You’ll never know until you try it
You don’t have to keep it quiet[/perfectpullquote]

Happy Holidays, dear folks!

6 Quick Rules To Enjoy The Haunting of Hill House

To mention The Haunting of the Hill House as a bone-chilling experience is a gross understatement. Being inquisitive by nature, I wanted to know how differently has the series been treated from the 1999 Liam Neeson starrer The Haunting that I had watched, based on the same Shirley Jackson novel? A movie understandably has a limited timeframe to tell the story whereas Netflix’s scope for a narrative is much larger, and hence the eagerness to see this novel cinematic approach. But, halfway through the first episode and I was getting the goose-bumps already, though that might be complimenting the show a lot. It’s horror after all! Trying as hard as I might to complete the series, I decided to create a simple 6-point plan based on my experiences, so that everyone can enjoy the show; ‘enjoyment’ is being ambitious here, but I do hope it works.

Rule #1. Instead of focussing on the screen just prefer to remain distracted in doing something else, stuff which requires focus & brain processing. This way you could avoid being totally numbed by the scary experiences, no guarantees though. Ha!

Rule #2. Definitely not worth watching during nighttime. Because that’s when the horror truly becomes mind-nerving and horrifying.

Rule #3. Without any discredit to the creators of the show, I’m going to constantly remind everyone it’s a work of fiction, with probably some creative freedom exercised. So let’s not try to take the plot & the visuals seriously, at all.

Rule #4. Lower the volume and avoid headphones if you can. There will be long moments of silence then a sudden a frightening scream. Eeek!

Rule #5. Binge-watching is a no-no, if you can. When you start watching any series you can’t help but watch all the episodes in rapid succession. But try not doing it with this one.

Rule #6. Not watching the episodes all alone and definitely not in complete silence. When you have both there’s a chance you might be scared to death easily.

The Haunting of Hill House has won some great reviews with none other than Stephen King posting his views in a tweet. Looking back, it’s a horror series, but it’s also a tragic saga of the Crain family that just isn’t about ghosts and goblins. Enjoy the chills! 

‘Powder’ Deserved A Renewed Series

Netflix is streaming Powder right now, a must-watch cult show, which prompted me to talk about this engrossing series. It was during 2010 that Yash Raj Films — that eponymous name in the world of movie entertainment in India, decided to experiment with producing Hindi television shows with YRF Television and partnered with Sony Entertainment Television. They brought some soaps such as Mahi WaySeven, Lift Kara De, Rishta.com, to name a few spanning different genres, but personally, none of them appealed to my sensibilities. Though for whatever reason, they should be thanked for making a brilliant TV show during the time, which I believe perhaps to be the best in crime drama in the history of Indian television which is Powder, and so fabulously directed by Atul Sabharwal.

It’s a story exploring the life of an honest officer Usman Ali Malik (played by Manish Chaudhury) heading the Mumbai branch of the Narcotics Control Bureau who is in relentless pursuit of a drug smuggler called Naved Ansari, magnificently portrayed by Pankaj Tripathi and his henchmen. The plot is engaging and original on several fronts; notwithstanding the awesome performances by its supporting cast including Geetika Tyagi, Rahul Bagga, et al, the scrupulous focus on the inner workings of various drug enforcement agencies in India suggests that the crew may have undertaken tremendous research in writing the story, the authentic cinematography, sound, and the action sequences (directed by the veteran action director Sham Kaushal) on the streets of Bombay makes this series deserving of our attention more often than once. No doubt, there was an enormous potential to improve & advance the storyline, which also makes me wonder if an intelligent and truthful narrative such as Powder didn’t deserve a fresh reboot or inspired similar plots on the small screen then what hope do we have for our talented Hindi TV writers?

The Mac TV Commercial That Changed The World

That iconic TV commercial which changed computing, the Macintosh “1984” ad, was aired this day on January 22, 1984, during the telecast of Super Bowl XVIII. It’s difficult to imagine computing before Macintosh’s GUI interaction where users worked with command-line interfaces (CLI) which required memorizing commands (I worked with CLIs once). Which also reminds me of the time when I laid my hands on my first Mac, that experience was pretty amazing!

[perfectpullquote align=”right” bordertop=”false” cite=”” link=”” color=”” class=”” size=””]“1984” was a TV commercial that introduced the Apple Macintosh personal computer. It was conceived by Steve Hayden, Brent Thomas and Lee Clow at Chiat/Day, produced by Fairbanks Films and directed by the legendary Ridley Scott. English athlete Anya Major performed as the unnamed heroine and David Graham as the Big Brother. It was first aired in 10 local outlets in the U.S. but it’s second televised airing, and the only national airing, was on January 22, 1984, during a break in the third quarter of the telecast of Super Bowl XVII by CBS. The ad was an allusion to breaking away from the conformity set by the “Big Brother” (IBM machines).[/perfectpullquote]