hindi film industry

Chef And A Dil Chahta Hai Moment

Bollywood offers myriad stories & sequences including in refashioning original Hollywood movies for the Hindi audiences for diversion, however, there has also been a crop of official remakes in recent times, such as Bang Bang, Players, just to name a few. There was a moment in one such recent movie with Saif Ali Khan called Chef that caught my attention and which was probably missed by many viewers.

Chef is an official remake of that Jon Favreau 2014 classic of the same name which I probably watched a couple of times, about an uncompromising chef who quits his respectable job at a prestigious Los Angeles restaurant to go back to his roots and rediscover the happiness in his cooking. The remake follows the same course, save for Roshan Kalra (Saif) who embarks on his path to enlightenment from the USA to pristine Kerala, but alas, the movie loses the plot somewhere between Goa, Delhi, and that “Rottza” whatever, that people thronged to relish. In all the munching, the heartwarming, ‘slice-of-the-life’ delight which Favreau’s Chef provided was clearly lost its way in its Indic avatar raising more questions than amusement. As an instance, why do all of Bollywood’s ‘reputed’ chefs come from the UK (Cheeni Kum) or ‘Umrika’ and not from the Taj Mahals or the Oberois in India while experiencing the boredom of metro-life, moving to a rural place in India and rediscovering their true passion? I suppose it’s not prudent to decode Bollywood’s logic of life so regardless I just enjoy or dislike the show.

The Dil Chahta Hai Connection

Dil Chahta Hai - Chef Connection
Saif Ali Khan as Sameer and Beatrice Gibson as Kristine in a still from Dil Chahta Hai.

In the second half, there’s a fleeting mention of the Saif Ali Khan classic Dil Chahta Hai when Roshan Kalra recalls an embarrassing moment to his assistant Nuzrool in Goa about visiting the place twenty years ago with his two friends and getting robbed. Saif’s actually talking about his character Sameer visiting Goa (with Akash & Sid) and succumbing to his desires for Kristine who plunders his personal belongings in an outlandish situation. His mention of 20 years is a tribute to 2001, the year when Dil Chahta Hai was released! Chef may have truly gone south but this tiny detail provided the only bright spot for me.

Bollywood Has Embraced Content Cinema

Badhaai Ho - Bollywood Movie Poster

There’s Hindi cinema with content, and then there’s ‘candy floss’ entertainment bereft of sanity & imagination. ‘Content’ is what connects you emotionally with the characters and keeps you glued to the screen, it subsumes your inner desires & notions by presenting a totally different perspective. Although, content is considered hard to be digested by the audience & hence is assumed to only reach a certain class of moviegoers. In Bollywood where brilliant scripts have turned out to be virtual duds because the film lacked technique or the filmmakers handled the idea shoddily it failed to make an impression. While on the other hand, stories that have been picturised a million times previously generated more interest at the box office because the content got a different context to thrive. Take the case of Marathi film Sairaat which set the box office rolling as a prime example of content that struck a chord with the audiences with its nuanced acting and music, despite being a story about teenage love and patrimonial furore being rehashed several times in countless movies. Content requires a conscientious effort in juggling the myriad dots in designing a vision that enthrals the audiences through its characters & script while the actors fade in the veneer of the narrative.

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Daddy Movie Poster

1 Reason You Should Watch ‘Daddy’

There were many reasons for watching this movie on the underworld gang lord-turned-politician Arun Gawli one of which being my roots in Mumbai city and Gawli’s charisma as a gangster-turned-politician. I was tempted to call Daddy a ‘biopic’ but it takes a rather beaten path than following facts, a lot of creative freedom has been taken to weave a dramatic story. But it’s based on the characters around Gawli and I’m a huge fan of movies that bring the retro look alive on the big screen, in particular my favourite decade, the 80s. The other reason for my anticipation of Daddy was the director Ashim Ahluwalia. I was very impressed with his previous classic ‘Miss Lovely’ which catapulted a lesser known Nawazuddin Siddiqui onto the international stage. It was a brilliant movie set in the 80s Bombay just like Daddy.

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Facts Over Films

Sanjay Leela Bhansali’s magnum opus Bajirao Mastani is due for release and there’s an outcry in the political circles for its ban already. The reason being an inappropriate portrayal of Peshwa Bajirao I.

The Peshwas were the designated Prime Ministers of the Maratha Empire, a post created by Maratha emperor Chhatrapati Shivaji Maharaj in the 17th century. The protagonist Peshwa Bajirao I (played rapturously by Ranveer Singh) was a brave general who served under the fourth Maratha emperor Chhatrapati Shahuji Raje Bhosale and his courtship with Mastani, the daughter of an Indian emperor, has evoked copious interest over a lifespan and figured in many writings. Sanjay Leela Bhansali’s attempt at characterizing their mystical love story for the big screen in typical Bollywood style has made historians and politicians seethe over its inaccurate dramatization; rather misrepresentation of the legend, and then the inane lyrics of the song ‘Malhari’. Known for his critically acclaimed big screen musicals like Khamoshi, Hum Dil De Chuke Sanam, et al, Sanjay Leela Bhansali attempts a creative reflection of a historical account with Bajirao Mastani. It’s certainly erroneous to consider his Bajirao Mastani as a documentary that strives to keep the artistic memory and present a historical view of the original folklore along with a soulful commentary. It’s a commercial entertainer, a movie which derives its texture and colourful backdrop from the rich Maratha history.

That Bajirao would have hopped to the tune of ‘Malhari’ the way Ranveer Singh has, or that the real Kashibai would have paired with Mastani at a festive occasion with her spirited and glamorous dancing is anybody’s guess. That’s where movies score a point over reality in providing delight to its faithful audience. But while history has its place in the hearts and minds of the viewer let’s be watchful that after all Bajirao Mastani‘s content must be revered or reprimanded as a motion picture and not be chastised for political gains. It’s an individual’s interpretation of a historical account which can be challenged just as its other contemporary films have been. And as aspirants of true love stories while we will learn about the immortal truth of Bajirao-Mastani from our history books, let the cinemas feed our endless love for entertainment eternally.

AIB Roast Cover

Fuss About Nothing!

Virtually everyone in India is now talking about the (edited) version of the AIB Roast show on YouTube which was hosted by ‘Roast Master’ Karan Johar in Mumbai and presided over by the glitterati from the Bollywood industry. The talking point has been the use of offensive, insulting and politically incorrect language to create humour involving 2 of Bollywood’s upcoming stars Ranveer Singh and Arjun Kapoor, who are publicly known to share a good companionship. If reports are to be believed, the audiences paid INR 4000 each (about CAD 80) to watch the show (*gulp*)! AIB or ‘All-India Bakchod’ (loosely translated – Bakwas = senseless and Chod = f**k, one who indulges in senseless talk) is an incongruous bunch of talented stand-up comedians who produce and act in satirical comical videos on YouTube often targeting politicians and film personalities.

When I watched the video, I was offended with the free use of foul language, it’s frequency and unfettered use in an attempt to create humour, when the audience in the video seemed amused and was laughing away to glory I was smiling in awe. 2 upcoming actors with some credibility bearing the brunt of a noxious attack from a gang of AIB speakers, the comments petrifying and undignified which would make anyone grunt in disgust but for the affable Ranveer and Arjun who were chuckling in absurdity, swearing back at the speakers now and then, and cringing uncomfortably in their red armrests (as would anyone) as their personalities were being torn apart by waves of filthy lexicons. For a good reason I was shocked why 2 young and promising actors put up their dignity and career at stake and signed up for this noxious onslaught, when the audience of their films was already doing it for them at the box-offices across the country regardless!

The whole debate about morality and culture, and the use of ‘offensive language’ has been raked up again in the garb of “hurting public sentiments”, and may I add, unnecessarily, and pulling us in the tussle between modernity and ethnicity; the right or the worse, the choice that we as intellectuals have to make over a mediocre event! It’s so depressing. The Maharashtra government has ordered a probe to investigate if the show was “vulgar” and in violation of laws, now why would one waste tax-payer’s money on such an ordinary event. The right-wing political party MNS in Maharashtra on the other hand has demanded an apology from Karan Johar, Arjun Kapoor, Ranveer Singh and others warning of dire consequences, luckily for them because their political fortunes were sinking already in the state for lack of a political agenda. And a police complaint has also been filed by the Brahman Ekta Seva Sanstha in Mumbai for use of “filthy and abusive language”. I am doubly upset now because the media and politicians haven’t helped by raking up an unnecessary controversy and offering credibility to such a crass show that it’s going to garner more hits and likes in the coming days.

Indeed the humour lacked an entertainment appeal so to speak, the speakers and the host sounded drab after a period with their continuous diatribe of raunchy and repulsive language, it was also shocking to see the free and open use of offensive language. Point taken. Let’s not forget that it was a privately funded show with full-grown adults paying for their own tickets willingly, it wasn’t a charity show involving the government or state money, and I don’t think any politician could be seen in the crowd applauding – if that’s true then it’s again his/her private business. The participants, the actors and the audience knew what they were signing up for. If so many others like me found the content to be offensive, my advice would be don’t watch it! If I felt any more offended than this I would hire a lawyer to fight a case in the highest courts of law in India. But any form of moral policing will only dent the fundamental structure of our democracy which we as a nation feel so proud about. Let’s stay away from advising others on the standards of entertainment and what others should and should not do, as long as they are doing it at their own expense and within legal terms. Let’s not play by our rules and pile up our definition of moral standards of entertainment and humour on others and ask them to “SHUT UP” and to fall in line.

A rational advice on choosing entertainment came in the form of a judgement from the Supreme Court of India. In its petition the All India Human Rights and Social Justice Front had argued that some scenes from the Aamir Khan starrer ‘PK’ hurt religious sentiment disturbing public order and hence the apex court should ban the film. The Chief Justice of India, RM Lodha said, “If you don’t like it, don’t watch the film. Don’t bring religious facets here.” also adding “These are matters of entertainment.  If you restrict it, it will affect others’ rights. Everything is on the internet.  What will you hide?”. Yes I am upset and offended, and it has hurt my sentiments. And honestly speaking, I won’t watch this crap again.