The Dark Knight (2008)

My early memory of a Batman movie had been pink-green-yellow lights, the Gothic comic book sequences and I remember Arnold playing Mr. Freeze in the 1997 movie called Batman & Robin (with George Clooney portraying the superhero – eek!). Since Christopher Nolan has taken over as the director of the new movies he’s moved away from the stereotypical depiction of Batman as just a comic book hero to a more stylised contemporary setting. The Dark Knight is the sequel to Nolan’s 2005 Batman Begins and is made in the mold of a complete action crime thriller. Christian Bale reprises the role of the fictional DC Comics character.


The movie begins with a bank heist in the typical Hollywood fast-paced genre. Batman’s nemesis the Joker played by the late Heath Ledger makes an entry brutally bludgeoning his associates to keep all the money for himself. The superhero is introduced in a garage action sequence later where he undergoes some injuries that prompt him to demand strengthening his body suit. The new design of the body suit would come as a pleasant surprise for everyone. It’s more chiseled and downplays the yellow-black batman insignia which was so prominently displayed on the chest (even the logo itself has been modified now). To say the least it’s awesome and another proof of the director’s ingenuity towards resurrecting the comic book franchise. Morgan Freeman returns as Lucious Fox the wily CEO of Wayne Enterprise and the creator/inventor of the advanced equipment necessary to fight crime in the city. Michael Caine comes back as Alfred the butler that can be trusted as a father figure and a guide in crisis.

It’s a movie with edge-of-the-seat action every few seconds. The most exhilarating one is when Batman extradites (rather abducts) a Chinese mobster called Lau all the way from Hong Kong. He overpowers a gang of shooters armed with automatic weapons, then grabs the Chinese boss and latches onto a C130 transport aircraft with the help of a chute back to Gotham city where he delivers the culprit to Lt. James Gordon (Gary Oldman). It’s a proof that Batman is committed to fight the city warlords and can go to any length to bring the criminals to justice from any corner of the world. Heath Ledger with his erratic make-up and restless stance plays the antogonist Joker and he’s incredible in the role. I doubt whether the Academy of Motion Picture Arts and Sciences presiding over the Oscars would recognize his talent in the film and grant him an award posthumously [Read More on CNN.com]. In my humble opinion, the film belongs to Ledger’s class act and the surrealistic execution of the character — and hence his picture at the end of the review. You could be excused for being completely impressed by his style and trying to be one like him from the movie. Here’s to a great actor Heath. R.I.P my friend. Katie Holmes who played Rachel Dawes in Batman Begins is replaced by Maggie Gyllenhaal who looks so much like her. I couldn’t make out the difference until I came home and read the character list (because I thought “Katie” was looking older?).

Of the few of his special carriages that Batman rides in his movies we have the “Tumbler” or the Batmobile in this one, a smart thinking vehicle that “intimidates” and even self destroys at the snap of the fingers. And the newly introduced “Batpod” or the motorcycle equipped with latest gizmos and weapons systems that zooms past the narrow lanes blasting obstructions of any kind in the path. The scintillating parts are when Batman crashes his Batmobile into an oncoming dumper truck making it to tumble around. And the portion where he drives his “Batpod” bike straight into a trailer and skids underneath it unscathed. All these portions are magnificently shot and need no recommendations of any sort. Just as the character has evolved into a coexistent 21st century vigilante with Kevlar suit and modern weaponry so has his vehicles that look sporty and vivacious and technologically more advanced than the previous versions. Even the batcave has been refurbished to accommodate modern communications systems like Sonar in this instance. It no longer looks the typical cave as portrayed earlier. Unlike in the past where the storyline stuck to the original artworks, in this movie it can be seen that the director has taken tremendous amount of creative independence by marrying realism with stunning digital effects that makes the story more believable and entertaining. Some of the sequences have been shot using an IMAX camera for the first time that make the scenes more brighter, wider and more immersive. It’s Nolan’s film all the way to say the least. Don’t miss this one in the theatres.

An Appeal to the Parents
Indian parents must realise it may not be a good idea to accompany their young ones to the theater for this movie assuming its a comic book adaptation. Bear in mind that there are scenes of intense violence and blood in the film which are distasteful and kids may not relish them. In the midst of the violent and gruesome action, I was not surprised at all to find kids howling in the dark maybe signifying that they were frustrated and wanted to leave the dark ‘dungeon’ immediately. The parents had a tough time consoling them and it was disgusting to see their attitude frankly. They must understand that it’s a different matter watching a movie then reading a Batman comic. Subjecting a child to an audio/visual medium of such gruesome nature assures a high degree of attention and memory retention that may have a damaging impact on the child’s mindset (sometimes permanently). In India The Dark Knight has been granted a U/A certification by the CBFC for exhibition. Please practice restraint while taking your child below the age of 12 years to the theater.

Interesting Links:
» Warner Bros. The Dark Knight website
» A List of Batman movie series on Wikipedia
» Dark Knight director shuns Digital Effects for the real thing

Heath Ledger reprising the role of Joker in The Dark Knight

Heath Ledger reprising the role of Joker in The Dark Knight