review

‘Muramba’ Is Just As Sweet As It Sounds!

Muramba - Movie PosterThe lush warmth of Pune’s sunshine apart, ‘Muramba’ conveyed the quintessential, endearing Marathi culture in oodles and that in itself totally won my heart. I chose to relish this scrumptious cinema on a frigid evening yesterday with only one desire in mind, and that was to enjoy a good Marathi movie. And, oh boy! ‘Muramba’ didn’t just entertain me, but the cosiness and the envious modesty of an urbane middle-class household, the sunny locales, not to mention the constant references to delectable Indian food, and alongside some unpretentious performances by the actors left me completely homesick!

So, Alok (Amey Wagh) and Indu (Mithila Palkar) are passing through some rough weather in their love tale and the parents step into a mentoring role for these youngsters. But that’s not all because there are personality issues to cope with before our man ties the knot. Which is why the agenda is not just limited to bringing the estranged couple together but also to inculcate the essence of life into their tender premature minds. And who could be more qualified to do this job than a paradoxical pair of doting parents who believe in having a friendly chat with their kids? In that, it’s so heartwarming to see the absence of a typical “I told you so” and “you better listen to me” nature of domineering banter that generally outlines a father-son relationship, rather what you experience makes you wonder if this is indeed the real interpretation of ‘Parenting 101’! Enough said. If homey Marathi family dramas suit your taste then you must watch ‘Muramba’, and warm the cockles of your heart.

‘The Kite Runner’ Is An Adventure of Emotions!

“The Kite Runner’ portrays a present-day saga of friendship, redemption, and sacrifice against the backdrop of strife-torn Afghanistan.

I had come across some rave online reviews about the movie ‘The Kite Runner’ based on the namesake book authored by Khaled Hosseini, and when it finally released on Netflix I watched it this weekend. To put it mildly, I was blown away by the casting and characterization of the script! ‘The Kite Runner’ is a saga of brotherly relationship between juvenile buddies Hassan and Amir set in the glorious backdrop of the city of Kabul in the 70s, mired in catastrophic events that unravel the true characters of the young boys as they grapple with forces of time. It’s a beautifully crafted screenplay directed by Marc Foster which released in 2007 and nominated in several categories at the Golden Globes and the Oscars.

‘The Kite Runner’ paints a poignant portrait of Afghanistan in its esteemed history, characterizing the capital Kabul as I have never seen before on screen, and will probably won’t for a long time. It left me gasping in surprise and wishing to visit Kabul. In the midst of a nation moving towards destruction lies the innocence of 2 young boys, Amir, and Hassan the son of a servant, who would selflessly scale any height to fulfill the ambitions of his affluent bosom buddy. Until political disturbance ravages their beautiful hopes and separates them for eternity. The gruesome ‘Talibanisation’ of Afghanistan and its fall from grace is metaphorically visualized through Amir’s innate emotional battles which result in his quest to take up a perilous journey to his native land to redeem his past.

The movie is a bestowal of faith in human ethos and celebrates the virtues of emotional bonds that are unfortunately shattered in the suppression of freedom, in that, I found ‘The Kite Runner’ as a perfect narrative for today’s microcosm of human suffering through its message of faithfulness, love, and the price that we must pay to keep our dignity in strife. Also, against the grim betrayal of human values, ‘The Kite Runner’ succeeds in delivering the message of redemption in a heartless time that we find ourselves entangled today. It’s a must see!

Daddy Movie Poster

1 Reason You Should Watch ‘Daddy’

There were many reasons for watching this movie on the underworld gang lord-turned-politician Arun Gawli one of which being my roots in Mumbai city and Gawli’s charisma as a gangster-turned-politician. I was tempted to call Daddy a ‘biopic’ but it takes a rather beaten path than following facts, a lot of creative freedom has been taken to weave a dramatic story. But it’s based on the characters around Gawli and I’m a huge fan of movies that bring the retro look alive on the big screen, in particular my favourite decade, the 80s. The other reason for my anticipation of Daddy was the director Ashim Ahluwalia. I was very impressed with his previous classic ‘Miss Lovely’ which catapulted a lesser known Nawazuddin Siddiqui onto the international stage. It was a brilliant movie set in the 80s Bombay just like Daddy.

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AIB Roast Cover

Fuss About Nothing!

Virtually everyone in India is now talking about the (edited) version of the AIB Roast show on YouTube which was hosted by ‘Roast Master’ Karan Johar in Mumbai and presided over by the glitterati from the Bollywood industry. The talking point has been the use of offensive, insulting and politically incorrect language to create humour involving 2 of Bollywood’s upcoming stars Ranveer Singh and Arjun Kapoor, who are publicly known to share a good companionship. If reports are to be believed, the audiences paid INR 4000 each (about CAD 80) to watch the show (*gulp*)! AIB or ‘All-India Bakchod’ (loosely translated – Bakwas = senseless and Chod = f**k, one who indulges in senseless talk) is an incongruous bunch of talented stand-up comedians who produce and act in satirical comical videos on YouTube often targeting politicians and film personalities.

When I watched the video, I was offended with the free use of foul language, it’s frequency and unfettered use in an attempt to create humour, when the audience in the video seemed amused and was laughing away to glory I was smiling in awe. 2 upcoming actors with some credibility bearing the brunt of a noxious attack from a gang of AIB speakers, the comments petrifying and undignified which would make anyone grunt in disgust but for the affable Ranveer and Arjun who were chuckling in absurdity, swearing back at the speakers now and then, and cringing uncomfortably in their red armrests (as would anyone) as their personalities were being torn apart by waves of filthy lexicons. For a good reason I was shocked why 2 young and promising actors put up their dignity and career at stake and signed up for this noxious onslaught, when the audience of their films was already doing it for them at the box-offices across the country regardless!

The whole debate about morality and culture, and the use of ‘offensive language’ has been raked up again in the garb of “hurting public sentiments”, and may I add, unnecessarily, and pulling us in the tussle between modernity and ethnicity; the right or the worse, the choice that we as intellectuals have to make over a mediocre event! It’s so depressing. The Maharashtra government has ordered a probe to investigate if the show was “vulgar” and in violation of laws, now why would one waste tax-payer’s money on such an ordinary event. The right-wing political party MNS in Maharashtra on the other hand has demanded an apology from Karan Johar, Arjun Kapoor, Ranveer Singh and others warning of dire consequences, luckily for them because their political fortunes were sinking already in the state for lack of a political agenda. And a police complaint has also been filed by the Brahman Ekta Seva Sanstha in Mumbai for use of “filthy and abusive language”. I am doubly upset now because the media and politicians haven’t helped by raking up an unnecessary controversy and offering credibility to such a crass show that it’s going to garner more hits and likes in the coming days.

Indeed the humour lacked an entertainment appeal so to speak, the speakers and the host sounded drab after a period with their continuous diatribe of raunchy and repulsive language, it was also shocking to see the free and open use of offensive language. Point taken. Let’s not forget that it was a privately funded show with full-grown adults paying for their own tickets willingly, it wasn’t a charity show involving the government or state money, and I don’t think any politician could be seen in the crowd applauding – if that’s true then it’s again his/her private business. The participants, the actors and the audience knew what they were signing up for. If so many others like me found the content to be offensive, my advice would be don’t watch it! If I felt any more offended than this I would hire a lawyer to fight a case in the highest courts of law in India. But any form of moral policing will only dent the fundamental structure of our democracy which we as a nation feel so proud about. Let’s stay away from advising others on the standards of entertainment and what others should and should not do, as long as they are doing it at their own expense and within legal terms. Let’s not play by our rules and pile up our definition of moral standards of entertainment and humour on others and ask them to “SHUT UP” and to fall in line.

A rational advice on choosing entertainment came in the form of a judgement from the Supreme Court of India. In its petition the All India Human Rights and Social Justice Front had argued that some scenes from the Aamir Khan starrer ‘PK’ hurt religious sentiment disturbing public order and hence the apex court should ban the film. The Chief Justice of India, RM Lodha said, “If you don’t like it, don’t watch the film. Don’t bring religious facets here.” also adding “These are matters of entertainment.  If you restrict it, it will affect others’ rights. Everything is on the internet.  What will you hide?”. Yes I am upset and offended, and it has hurt my sentiments. And honestly speaking, I won’t watch this crap again.

Guru (2007)

GuruIt begins in the small Gujarat village of Idar in the 1950s. A young lad called Gurukant Desai (fondly known as Guru) faces the ire of his headmaster father for dreaming big. Yet he succeeds somehow in convincing his father for traveling abroad to Istanbul, where he works in an oil company. The praise and the promotion for his hard work prompts him to return home and invest in his own ‘bijness’ of textile. Upon reaching the dream city of Mumbai with his wife Sujata (Aishwarya Rai) and brother-in-law ‘Jignes’ (Aryan Babbar), he realizes that the textile market has been monopolized by individuals and takes up the fight to free the same from their clutches with the help of a Gandhian philosopher called Nanaji (Mithun Chakraborty) who runs a newspaper called ‘The Independent’. Guru’s labour of love starts bearing fruit and his textile trade expands by leaps and bounds; he decides to build a manufacturing unit of polyester yarn in his home town of Idar. His oratory skills coupled with his intelligence leaves the crowd spellbound at a shareholders meet where he assures them that Shakti Corporation is a big family itself. However the trail of his accomplishment gets smudgy and he takes the ultimate test of his character to clear his name in front of an inquiry commission in a case of misappropriation of funds and custom duties.

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