Netflix

‘Powder’ Deserved A Renewed Series

Netflix is streaming Powder right now, a must-watch cult show, which prompted me to talk about this engrossing series. It was during 2010 that Yash Raj Films — that eponymous name in the world of movie entertainment in India, decided to experiment with producing Hindi television shows with YRF Television and partnered with Sony Entertainment Television. They brought some soaps such as Mahi WaySeven, Lift Kara De, Rishta.com, to name a few spanning different genres, but personally, none of them appealed to my sensibilities. Though for whatever reason, they should be thanked for making a brilliant TV show during the time, which I believe perhaps to be the best in crime drama in the history of Indian television which is Powder, and so fabulously directed by Atul Sabharwal.

It’s a story exploring the life of an honest officer Usman Ali Malik (played by Manish Chaudhury) heading the Mumbai branch of the Narcotics Control Bureau who is in relentless pursuit of a drug smuggler called Naved Ansari, magnificently portrayed by Pankaj Tripathi and his henchmen. The plot is engaging and original on several fronts; notwithstanding the awesome performances by its supporting cast including Geetika Tyagi, Rahul Bagga, et al, the scrupulous focus on the inner workings of various drug enforcement agencies in India suggests that the crew may have undertaken tremendous research in writing the story, the authentic cinematography, sound, and the action sequences (directed by the veteran action director Sham Kaushal) on the streets of Bombay makes this series deserving of our attention more often than once. No doubt, there was an enormous potential to improve & advance the storyline, which also makes me wonder if an intelligent and truthful narrative such as Powder didn’t deserve a fresh reboot or inspired similar plots on the small screen then what hope do we have for our talented Hindi TV writers?

Mumbai Delhi Mumbai (2014)

Mumbai Delhi MumbaiI had cherished the Marathi original Mumbai Pune Mumbai (MPM) a tale of two distinct personalities representing major cities of Maharashtra, a reluctant lady from Mumbai visiting a Pune guy whom she hopes to marry. Pune is a short train ride and hence the title of the movie from the Indian Railways’ name panel. Shot entirely in Pune the highlight about MPM was its cast of 2 seasoned actors Mukta Barve and Swapnil Joshi, with Joshi’s flawless enactment of the Puneri accent and his explanation of the steadfast Puneri Baana to a suave metro girl Barve who’s just as proud about her liberal Bombay antecedents as the man could have ever imagined resulting in a mind-blowing account of repartees. Importantly, the simple script through the eyes of the protagonists acquaints you to Pune’s Maharashtrian middle-class culture & sunny locales on a day’s trip. This film checked all my boxes for a good entertaining romantic comedy including its well-deserving sequel Mumbai Pune Mumbai 2. Then, Bollywood got into the mix and engaged the original writer/director Satish Rajwade to make an urbane Hindi adventure which unfortunately lost its way and failed miserably to do justice to the original.

So instead of a train, Pia takes a flight to Delhi and literally lands in an argument with a local upsetting her. From there onwards she becomes cacophonic, that seething rage of displeasure with Dilliwaalahs displayed with incessant shouting & heckling of her helpful partner. The character’s persona is so amateurish that she gets needlessly offended by ‘Goli’ her Delhi mate and vice versa much to my exasperation. But, it was her constant rebuttals & conversations starting with “Boss…Boss” that made me wonder if the swank Pia is indeed the correct personification of the city’s elegant diaspora. To make matters worse, the mellifluous Marathi song of ‘Kadhi Tu’ returned in an uninspiring avatar called ‘Tham Sa Gaya’. Skip this one by all means, but you don’t want to skip the original.

Rating:

Come And Find Me (2016)

Come And Find Me

I basically like thrillers and this was yet another addition to my list in that genre, Come and Find Me is a thriller and a love story with several angles. When Claire disappears suddenly David relies on the law to make breakthroughs and find her but when they reach a dead-end he decides to pursue the case himself. What begins as a simple case of disappearance gets embroiled in a string of lies and deceit, involving mobsters and federal sleuths. Technically, the movie becomes compelling at various intervals as the story swings back and forth to capture intimate moments between the couple while introducing Claire’s persona before her disappearance and details on their fledgeling relationship. Halfway through the plot as David wades through the suspense, the plot gets even murkier and I am now doubting my knowledge of Claire which forces me to focus more closely on the events and the individuals as they reveal themselves.

The climax left me with more questions than providing the justifications straight away much like the situation I faced with The Open House. This probably comes from my expectations with run-of-the-mill thrillers and I believe the thriller/suspense genre has undergone some welcome changes. But Come and Find Me is still worth a watch.

Rating: ⭐️⭐️⭐️

True Grit (2010)

True Grit

This was my third movie directed by the Coen brothers after Fargo (1996) and No Country For Old Men (2007). True Grit is also executive produced by Steven Spielberg and set in the American wild west in the 19th century, about a 14-year-old Mattie Ross (Steinfeld) teaming up with an ageing U.S. Marshal Rooster Cogburn (Bridges) to hunt down the killer of her father Tom Chaney (Brolin). The classic western movies have a distinct semblance about them which compelled me to watch True Grit, the story along with the action was well-paced and the casting of Matt Damon, Josh Brolin, and Jeff Bridges was superlative. To summarize, True Grit has wonderful direction and beautiful cinematography and gripping in parts.

This line from the young Mattie is worth contemplating:

You must pay for everything in this world, one way and another. There is nothing free except the grace of God.

Rating: ⭐️⭐️⭐️⭐️

Baahubali’s Fantasy Adventure Is Amazing!

BaahubaliAfter brooding over my choice to watch the Baahubali films (BB) for years I finally garnered the motivation to catch up on the series yesterday, both flicks back-to-back. Frankly, I have become sceptical to watch mythological/historical period films with the current spate of drab historical Bollywood offerings not providing any entertainment value per se. And then BB fell into the category of ‘dubbed’ Hindi cinema, the ones made in the South but rarely given its due production importance for its Northern masses. It does remind me of the LOTR series but being made in India on such a grand scale (the CGI, et al) made this series that much more compelling to watch. Here’s the funny part – back then I couldn’t wrap my head around the whimsical Internet memes on “Katappa Ne Baahubali Ko Kyun Maara?” (Why did Katappa kill Baahubali?), but after watching ‘The Beginning’ that question came to haunt me too as it did millions of fans in 2015. Luckily, I didn’t have to wait for a year for the sequel (‘The Conclusion’) to get my answer.

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