General

Lara Croft & The Mayan Jungle Adventure!

I was pretty excited to grab my copy of the ‘Shadow of the Tomb Raider’ (SOTR) this week, and a good 2 days before the official launch since I preordered. It also happens to be my first PS4 steelbook case title. The ‘Croft Steelbook Edition’ is a limited edition title that includes a Season Pass, 3 additional weapons & outfits, original game soundtrack, and 3 Art Cards which are basically artworks of Lara Croft in action. Besides everything, I was drawn towards the ‘Season Pass’ which was a deal breaker for me in the sense it gave me more side missions to play apart from the main story; I’m told, there are 7 Challenge Tombs, each with new narrative side missions, as well as 7 Weapons, 7 Outfits, and 7 Skills available with the DLC ‘Season Pass’. Let me also say this, that it’s a gorgeous design of the steelbook case inside and it feels like I’m holding an ancient document.

I am looking forward to diving into SOTR after experiencing the storyline in the cult prequels of the ‘Tomb Raider – Definitive Edition’ and the ‘Rise of the Tomb Raider – 20 Year Celebration’ both with out-of-world gaming and storytelling. Effectively I’m completing a trilogy, and until I play the entire SOTR I’m not sure if this would be the final episode with Lara Croft and her tryst with destiny — it’d be really tragic after Naughty Dog wiped clean Nathan Drake’s existence from the ‘Uncharted’ series (another of my favourite franchises), but keeping fingers crossed for Lara’s upcoming adventures.

For the time being though, I will bask in the glory of discovering & collecting numerous ancient relics & documents (called ‘collectibles’) and completing the challenges, then beat the extraordinary tomb puzzles and fight the battle-hardened forces of the evil Trinity forces but this time in the deep jungles of South & Central America laced with awesome environments and screenplay. I may detest the end of Lara Croft’s exhilarating adventures just as I did with Nathan Drake, but not so soon.

Civilization - The Last of Us

Our Civilization & How Everything Could End

A nuanced study of our civilization has always appealed to my faculty, by connecting with multiple cultural conventions of diverse user groups through the prism of technology & design I can synthesize & draw conclusions from their unique behavioral & cultural patterns, so I was thrilled listening to an episode from the Software Engineering Daily (SED) podcast which reinforced my beliefs in that direction. It was in July that I stumbled upon Tim O’Reilly’s book What’s The Future (what a clever wordplay of WTF) and found a piece of ominous foresight by the author from the insightful podcast. He was responding to the question, How do you contrast the role of human agency versus the positioning of these technologies as being inevitabilities? And Tim responded with a sense of grim:

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You know, I think some ways this goes back to this disagreement I had many years ago with Ray Kurzweil. Where he would draw these graphs and say, “Well look, progress goes up into the right,” and I said, “Well, yeah, from a distance,” sure but you know, if you look for example at architecture, the Hagia Sophia in Istanbul was for a thousand years, the largest building in the world.

Because we lost the knowledge of how to build something like that. You could have on human time scales, an immense slowing down or reversal of progress. I think part of what we need to understand is that first of all, nothing is inevitable. I think that we face enormous discontinuities and anyone who looks at history will see those even in human timeframes where there were great empires that fell. Where there were civilizations that collapse and I don’t see any reason why ours might not be among them. In fact, I think it’s more likely than not that ours will be among them and so the notion of progress is also something that I think is profoundly suspect.

You know, are we really more advanced? If you think about adaptation to the environment, maybe humans are not so very advanced after all, we are kind of destroying our environment in 10,000 years of our rise and will we effectively foul our nest sufficiently that we won’t be able to continue to prosper?

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But then he describes, what I term as, his vision of an environmental catastrophe which could materialize as a result of a ‘climate change’ phenomena — a change in global or regional weather patterns attributed largely to the increased levels of atmospheric carbon dioxide produced by the use of fossil fuels, which is demonstrating its ruthless power in real-time with the extended periods of hot summers or excessive rainfall to droughts in most parts of the world.

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I think I like to focus, yes, there are long-term trends that have momentum that have a powerful vector behind them but that doesn’t mean that they’re inevitable because first of all, there are other intersecting vectors. It’s so interesting, one of the said people I’ve invited to our science
bootcamp event or a couple of scholars who have been researching the interaction between climate change and the fall of civilizations.

Both of them – there’s a group at Harvard that has basically done ice cores in Greenland then it’s just basically correlated historical events through roman and early medieval civilization with climate change events. We have also one of the other people while study is the fall of ancient again civilizations and again, looking at the combination of climate change, you know, triggering a disease and then triggering migration, triggering warfare and that kind of being this toxic stew that brings civilizations to an end.

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That last bit of prudence in “triggering a disease” also brought flashes from the critically acclaimed action-adventure horror game ‘The Last Of Us’ the plot of which deals with a mysterious virus called Cordyceps ravaging the United States leaving not just an infected civilization but eventually destroying it; the premise of which is the effect of ‘climate change’. The game beautifully captures the mass migration of the survivors from coast to coast and puts the gamer in the midst of a warfare with rival gangs who are fighting for the control of rare resources in their neighbourhoods, not to mention combating the scary ghoulish creatures who prey upon their unsuspecting victims. It’s a captivating glimpse of a combination of catastrophic outcomes that O’Reilly has insightfully referred to in his prediction of how our civilization could end realistically.

The entire episode is worth listening and you can enjoy it in a new tab/window.

That Magical Tool For Facing Deadlines

It’s time to acknowledge a permanent and a frequently visited attribute of my professional career otherwise known as ‘meeting deadlines’, and who could better express that emotion visually other than a Calvin & Hobbes. That sense of accomplishment is briefly trounced by an uncanny nervousness with sticking to timelines, on whether it’s a strategic design proposal or preparing slides for an upcoming discussion on a creative project. And although the groundwork had truthfully commenced the minute all information was rounded up it wasn’t until the eleventh hour that the conception magically began taking shape! Yes, magically. But how? Much like most things today that are easily derived using a mobile app or other similar contraptions at the click of a button, that one ethereal tool which I use in filtering the surge of my creativity and delivering within deadlines is called the ‘panic button’.

Meeting Deadlines - Calvin & Hobbes

Source: Calvin & Hobbes by Bill Watterson

The Fragile Life

The tragic news of the passing away of one of India’s greatest actors Sridevi due to a cardiac arrest hit me hard. She was only 54, young and fit. At first, I didn’t trust the news channel and verified from other online sources which confirmed they were indeed referring to the beloved icon who had worked in 5 Indian languages. I literally grew up cherishing her countless talents in masterpieces such as SadmaMr India, Chaalbaaz, Chandni, Lamhe, and her classic comeback vehicle English Vinglish, to me, she was an embodiment of grace, glamour and elegance. Later, I read about how the cardiac arrest is triggered and was informed that although there are external causes it could happen to anyone without a family history of heart ailments and I began to ponder. No doubt, life’s beautiful but it’s also fragile, one that could abruptly come to a complete halt and fade away!

Calvin and Hobbes - Fragile Life

Latika’s Theme – Slumdog Millionaire Soundtrack

I have zero recollection of the hours that I have spent listening to Suzanne D’Mello’s melancholic crooning of Latika’s emotions in this track, a slow and an entrancing piece of melody from the critically acclaimed soundtrack of Slumdog Millionaire. Once again, I discovered it quite randomly during my music listening spree today – perhaps your most cherished songs follow you everywhere just like your beloved memories. There are other hit tracks on the album, including the award-winning Jai Ho (Academy Award for Best Original Song and a Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media) which captured the imagination of the world and also Ringa Ringa, but I keep returning to Latika’s Theme like a hopeless romantic. From my list of favourite composers, A R Rahman is one who has the potential of casting a spell on my latent consciousness with his tunes, while consistently demonstrating the obvious that music has a universal appeal even when it’s deprived of any language or words and an effective antidote for healing our bruised soul.