thriller

Mindhunter

Mindhunter Is A Lesson In Criminal Psychology

My obsession for retro is well-known, and it’s a particularly gratifying experience being in North America to observe the nuances of this geography from the 70s in a web TV series. The fashion, the architecture, the make of the classic cars, and the means of communications (obviously no mobile phones in the 70s) is a revelation of sorts & a journey back in time. It was fascinating to watch ‘Halt and Catch Fire’ in the backdrop of the 80s more specifically for its anecdotes related to the pre-PC era. Then again, the CNN series on the 60s, 70s, and the 80s which took me on a nostalgic history of North America. And a couple of days ago I binged watched ‘Mindhunter’ on Netflix, a crime psychological thriller from David Fincher and Charlize Theron.

Set in 1977-79 years the series is based on the book ‘Mindhunter: Inside the FBI’s Elite Serial Crime Unit’ by authors John E. Douglas and Mark Olshaker following the adventure of FBI agents Holden Ford (Jonathan Groff), and a seasoned agent named Bill Tench (characterized by Holt McCallany). Ford and Tench are FBI agents from the Behavioral Science Unit interviewing a bunch of serious killers (not “serial” killers) incarcerated for their gruesome crimes in an attempt to understand their attitudes which made them commit those heinous acts! The entire Season 1 was a fun nostalgic ride back into the 70s (I can’t wait for Season 2), it’s unlike any other TV series or movie you may have watched in the detective/murder mystery genres, it’s engrossing, and without question it introduces a new narrative about criminal psychology.

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Drishyam

I hadn’t seen a taut thriller movie in a while and Drishyam fit that definition perfectly. Originally made in Malayalam by Jeethu Joseph and released in 2013, Drishyam (Visual) has now been remade in 4 other Indian languages, very recently in Tamil as Papanasam with Kamal Haasan and Gautami. The Hindi version which I thoroughly enjoyed has been directed by Nishikant Kamat whose earlier works I have enjoyed watching include his Marathi ventures the critically acclaimed Dombivli Fast (2005), and action drama Lai Bhari (2014), his Hindi action thriller Force (2011) with John Abraham, and Mumbai Meri Jaan (2008), a story about 5 characters in Mumbai and how their lives are affected by the 2006 Mumbai train bombings, which also won multiple Filmfare Awards.

A happy family in a serene Goan village, which includes the father (Vijay Salgaonkar/Ajay Devgn) running a small cable TV business called Mirage Cable Network, his simple, homely wife (Nandini/Shriya Saran) fondly looking after their two daughters, the older Anju, and the younger Annu. Apart from his lovely family Vijay has friends who vouch for his unblemished character, and he loves to watch all kinds of movies — you could see him glued to the TV set in his office all day and night, while his dedicated associate (José/Prathamesh Parab) goes around the small hamlet settling business. Then quite suddenly an incident occurs one stormy night and knocks the family into gloom and doom. It surrounds the bunch of happy campers into an unrealistic scenario with no sign of an escape from the inevitable. What happens next can only be described as an odyssey of plots and sub-plots and mysteries as Vijay goes from pillar to post to conceive a maze of mysteries throwing the police detectives, even the agile Inspector General Meera Deshmukh (another great portrayal by Tabu) in a tizzy, despite having an undoubted notion about the family’s undeniable involvement in the gory incident the police are sadly reduced to a gaping spectators! Under Vijay’s astute stewardship and shrewdness the family teams up to support the cause and overcome, what seems like an insurmountable challenge. But hang-on! It’s just when you think the movie is done and the cast has met its desired outcome, that the spine chilling climactic end is waiting to shock and raise your eyebrows even further. I can’t stop applauding the producers who have ensured the movie’s plot isn’t lost to the audience as it meanders from one sequence to the other ever so tightly, the sequences make you perch at the edge of your chairs, and if there was one movie where good music is used sparingly to provide relief from the ongoing tense drama, it’s Drishyam. It’s a brilliant plot, a brilliantly shot movie, and a must-see for movie lovers.