movie

The Imitation Game: Turing’s Analogy of Gaming and AI Theory

The Imitation Game produces an engrossing setting in a chamber with Detective Nock questioning Alan Turing, where he defines the theories of gaming and AI. The detective is clearly bewildered by the mathematical brilliance of his respondent. Alan Turing is widely considered as the father of theoretical computer science and artificial intelligence today.

Turing seems to ostensibly denote the inadequacy of humanity about tolerating an individual’s right to freedom (a reference to his homosexuality) while harbouring a surprising curiosity in machine behaviour to quantify its emotions.

(Very well done Benedict Cumberbatch!)


Detective Nock: Can machines think?
Turing: Oh, so you’ve read some of my published works?
Detective Nock: What makes you say that?
Turing: Well, because I’m sitting in a police station, accused of entreating a young man to touch my p**** and you just asked me if machines can think.
Detective Nock: Well, can they?
Turing: Could machines ever think as human beings do? Most people say not.
Detective Nock: You’re not most people.
Turing: Well, the problem is you’re…asking a stupid question.
Detective Nock: I am?
Turing: Of course machines… can’t think as people do.
A machine is different… from a person. Hence, they think differently.
The interesting question is, just because something, uh,
thinks differently from you, does that mean it’s not thinking?
Well, we allow for humans to have such divergences from one another.
You like strawberries, I hate ice-skating,
you… cry at sad films, I… am allergic to pollen.
What is the point of-of different tastes, different… preferences
if not to say that our brains work differently, that we think differently?
And if we can say that about one another, then why can’t we say
the same thing for brains… built of copper and wire, steel?
And that’s…
Detective Nock: this big paper you wrote? What’s it called?
Turing: ”The Imitation Game.”
Detective Nock: Right, that’s…that’s what it’s about?
Turing: Would you like to play?
Detective Nock: Play?
Turing: It’s a game. A test of sorts.
For determining whether something is a…a machine or a human being.
Detective Nock: How do I play?
Turing: Well, there’s a judge and a subject, and…the judge asks questions,
and, depending on the subject’s answers, determines who he is talking with…
what he is talking with, and, um…
All you have to do is ask me a question.
Detective Nock: What did you do during the war?
Turing: I worked in a radio factory.
Detective Nock: What did you really do during the war?
Turing: (laughs softly) Are you paying attention?

Despicable Me 2

I skipped the first instalment to watch this animated comedy, and the amusement lasted until the last sequence! A hilarious account of a super-villain turned hero/dad Gru managing a bunch of dwarfed, babyish characters somewhat awkwardly dressed called ‘Minions’, and 3 very cute daughters. The Minions are these energetic cheerful bunch of Lilliputians, with no regrets for their unremarkable looks, stature or appeal, having fun always but congregating when distress comes in the form of the villain Eduardo/El Macho. 

It has loads of artistic imaginativeness especially the gadgetry which included Lucy’s inventive automobile that is part-submarine part-aircraft and the jelly guns (slurp!), the design of the croc sofa in the girls’ room and the hippo chair, the nacho-shaped Sombrero with Guacamole that the characters dip and relish (that was so creative!), and last but not the least, a pet chicken called ‘Pollito’ acting as the villain’s henchman (or ‘henchcock’?).

‘Despicable Me 2’ is a mad comic caper complete with a love story, tons of Minion naughtiness, artistic fantasies, and 3 adorable little girls! I’m already waiting to watch the next release.

Oye Lucky! Lucky Oye! (2008)

After Dibakar Banerjee’s critically acclaimed movie Khosla Ka Ghosla (2006) comes Oye Lucky! Lucky Oye (OLLO). Dibakar’s style of showcasing real incidents in the genre of comedy is very inspiring for me. Additionally his ensemble of cast are actors that a) are not stars by Indian definition and b) are always set in northern India mouthing colloquial speech. OLLO is set on similar principles. It’s a point which I want to make to our film-makers – stars do not necessarily make a great movie but the story does play a integral part of the film-making process.

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Welcome to Sajjanpur (2008)

When I had read about Shyam Benegal directing a movie with Shreyas Talpade in the lead, it was called Madhav Ka Sajjanpur. And I wonder why the title was anglicized later to Welcome to Sajjanpur when the story is perceived and described through a village erudite called Madhav. And indeed traces of the original title still remain on the censor board certification displayed before the movie starts if you pay attention.

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Taare Zameen Par (2007)

There cannot be a perfect culmination to my long Christmas break then watching Taare Zameen Par (TZP) in the theatre. Before I begin talking about the movie itself, I must first congratulate Aamir Khan who has taken a grave risk (as always) by opting to produce, direct and act in what seems to be a complete non-commercial storyline. In other words, to a lay man this project would have looked good in a book or a short story somewhere in a children’s magazine. But it only proves that Aamir is (who else?) the only commercial actor in the Hindi film industry in a class of his own who believes in making meaningful cinema — one you can easily relate yourself with.

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