After all the hype created (the staff at a local multiplex was dressed up in the movie costume) and fueled by the Daler Mehndi controversy, Shaad Ali Sahgal’s (Saathiya, Bunty Aur Babli) latest film Jhoom Barabar Jhoom (Dance Baby Dance) turned out to be an all-gloss-no-substance film. Neither a romantic comedy nor a musical, basically there’s no story to be told here per se. Expectations from Shankar-Ehsaan-Loy’s music were heightened after their previous hit with Bunty Aur Babli (remember Kajra Re) but they fail to make hearts go Dhadak dhadak this time. And Amitabh, he’s been wasted. Wearing a colorful tapestry coat with a feather hat, strumming a strange guitar and prancing to the title song at a railway station, with dancers juggling around. Ultimately, by not uttering a single sentence in the movie, we are left wondering what role was Amitji enacting anyway?
Abhishek Bachchan
Guru (2007)
It begins in the small Gujarat village of Idar in the 1950s. A young lad called Gurukant Desai (fondly known as Guru) faces the ire of his headmaster father for dreaming big. Yet he succeeds somehow in convincing his father for traveling abroad to Istanbul, where he works in an oil company. The praise and the promotion for his hard work prompts him to return home and invest in his own ‘bijness’ of textile. Upon reaching the dream city of Mumbai with his wife Sujata (Aishwarya Rai) and brother-in-law ‘Jignes’ (Aryan Babbar), he realizes that the textile market has been monopolized by individuals and takes up the fight to free the same from their clutches with the help of a Gandhian philosopher called Nanaji (Mithun Chakraborty) who runs a newspaper called ‘The Independent’. Guru’s labour of love starts bearing fruit and his textile trade expands by leaps and bounds; he decides to build a manufacturing unit of polyester yarn in his home town of Idar. His oratory skills coupled with his intelligence leaves the crowd spellbound at a shareholders meet where he assures them that Shakti Corporation is a big family itself. However the trail of his accomplishment gets smudgy and he takes the ultimate test of his character to clear his name in front of an inquiry commission in a case of misappropriation of funds and custom duties.
Dhoom 2 (2006)
Bikes, babes and battering blows, machoism and hip music; that’s Dhoom (excitement) for you. But unlike Dhoom, the prelude, which had John and his team modifying their mobikes and going for the loot, the sequel lacks substantially in a convincing plot (the script had inspired a gang of real thieves in Mumbai which were apprehended by the police some time ago). The mantra of the sequel seems to be gadgets and disguise and the story banks on both to move forward (ala The Saint). Therefore we have a hunk called Aryan (Hrithik Roshan), an elusive high profile con man, skydiving on a speeding train in the middle of the Namib Desert which is carrying the Queen’s crown. A few implausible acrobats later, the mission is accomplished successfully. Incomparable with the train dacoity sequence from the movie Sholay, the best in the history of Hindi cinema. But that’s for later.
Workshop Wrap-Up
The Human Factors seminar ended quite nicely today and I admit that it has made a huge difference for me. As I have said earlier when I attended the very first workshop, the first few hours itself were enough to change my mindset completely. Both Hitesh and Neha, our instructors for the Practical Usability Testing workshop created enough interest and excitement to make the 2 day workshop very absorbing. I am now going back to my sweatshop desiring to put some of the gained knowledge to actual practice. I am also hoping that the management gives a serious thought in constituting a body of usability experts from the industry who can work in tandem with the developers in making usable web and software applications.
After the day ended with some emotional goodbyes and hand shakes and promises of keeping in touch over email, it was time for me and Aadesh to chill out. Being movie buffs, we hopped over to Huma Adlabs at Kanjurmarg and watched the Rohan Sippy directed Bluffmaster starring Abhishek Bachchan, Priyanka Chopra and Nana Patekar amongst others. It’s the story of a deceiver Roy (Abhishek) and Simmi (Priyanka) and their lives. Nana as Chandru, a local don has been amazing throughout the movie.
The movie has been shot wonderfully. I say this because it presents to you some of the most scenic images of Mumbai which have hitherto been unexplored. I personally liked Abhishek’s apartment and the magnificent view of the city from it. There’s no point in narrating the story and spoiling the fun. The least that I can say is please go to the nearest theater and enjoy the movie :-)