Movies

Salyut 7

‘Salyut 7’ Honours Space Endeavour

Who doesn’t have a penchant for space adventure flicks, huh? In fact, I have proof that I have always been intrigued by space stuff and the idea of space exploration though it’s always been a dream to ride a spacecraft, or at best, even visit a space museum (yup, that’s on my bucket list), or experienced zero-gravity (another moonshot), but the closest that I could get to experiencing space travel was the movie theatres! In Alphonso Querón’s brilliant narration of Gravity about two American astronauts who get stranded after their space shuttle is destructed, showcased the pitfalls of space exploration in all its glory, in which, whether you live or die is a matter of the choices you make. This and several movies later you realize that films are much more than just crucibles of entertainment but actually educational channels. Another movie I’d definitely to mention is the awesome Apollo 13.

In much the same mould of depicting space endeavours, Salyut 7 is a masterpiece portrayal of events surrounding the salvaging of the doomed space station Salyut 7 in 1985. You might have already guessed it from the image, but the noteworthy aspect of this defining blockbuster is that it comes from Russia and not Hollywood as most might have expected it. It begins with a spacewalk by Svetlana Savitskaya, the first woman to perform a spacewalk ever, and cosmonaut Vladimir Fyodorov. Later, a cosmic occurrence renders the ill-fated space station without power and disaster strikes. At which point, the Soviets are wondering whether to shoot a missile at the floating metal and prevent it from falling it into the hands of the Americans or take the unprecedented route and bring it back to life. Although, at the heart of the mission is a complex issue of docking with a 20-ton metal structure in space that spinning on its axis faster than a Ferris wheel. So the cosmonauts are trained in a simulator with the exact parameters, they keep failing until Fyodorov is included in this impracticable mission partnering his fellow cosmonaut Viktor Alyokhin. They are foretold they only have enough fuel for 3 attempts but it’s so critical for the rendezvous to happen flawlessly unless the Soviet military shoots down the ‘dead’ space station hurtling metal debris into low space orbit, or risk falling it into the hands of the Americans who are launching a Space Shuttle to salvage it.

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Delhi Crime – Honest & In Your Face!

A heinous crime has taken place in the capital city of New Delhi, a young woman has been barbarically violated and her boyfriend has escaped with some injuries right in the heart of a bustling metro. It doesn’t take time for the first responders to comprehend the sensitivity of this brutal act which is perpetrated by 6 disgusting individuals in a moving bus. One of the challenges for DCP Vartika Chaturvedi (a brilliant Shefali Shah) is to assemble a task force already on the brink of breakdown from a paucity of funds and lack of infrastructure to a shortage of manpower, to deal with the situation. In all their efforts to apprehend the criminals at the earliest, the law enforcement officers find themselves in a vicious tug of war with both the enraged public, a biased media and some politicians who would walk any length to fix the blame squarely on the department and the “security lapses”. That the police force serves its citizenry diligently and with the utmost integrity to curb anti-social activities despite their unspeakable conditions is part of the narrative of Netflix’s newest original TV-series called Delhi Crime. The storytelling has such truthfulness and bitterness to it that I couldn’t watch it without wiping tears. Thankfully, unlike the other police drama, the unfortunate Powder, the makers have confirmed that Delhi Crime will be an anthology series with the same characters.

In all this, as a cat-and-mouse game is unravelling, a team headed by an investigator named Sudhir Kumar (Gopal Dutt Tiwari) is on its way to the nab one of the culprits in Rajasthan, he’s having an interesting conversation in the vehicle on the implications of a diverse Indian society. Although divided by class, it is at the pinnacle of global economic development on one hand but fighting abject deprivation and illiteracy on the other. His profound explanation for the justification of horrific crimes against females signals a larger implication for an entire generation of Indians to come. Read on.

Scenes from Delhi Crime
Scenes from Delhi Crime (2019) S1E3 (Courtesy Netflix)

ड्राइवर: सर, क्या आप ने इससे पहले ऐसे कभी कुछ देखा है?
सुधीर कुमार: अरे बहुत कुछ देखा है.
ड्राइवर: नहीं Sir. मतलब, हां हां, crimes तो बोहोत है पर ऐसा नहीं कोई किसी के साथ ऐसे कैसे कर सकता है ?
सुधीर कुमार: Simple है यार. Economics है. अमीर और गरीब के बीच का फर्क जितना बढ़ेगा crime भी उतना ही बढ़ेगा। क्या है, अमीरों की वजह से अब काफी पैसा आ गया है society में, लेकिन वह गरीबों तक पोहोचता नहीं है। तो वह छीनने की कोशिश करते है, जिसकी वजह से अनबन पैदा होती है। Normal है, सारी दुनिया में यही हो रहा है. ऊपर से हमारे यहां तो बोहोत ज्यादा अनपढ़ youth है। Sex Education है नहीं लेकिन Internet पे free porn है, जो उनके मासूम दिमागो पर असर डालते है, उन्हें समझ नहीं आता क्या करे। वह औरत को एक चीज़ की तरह देखने लगते है और चाहते है वह सब उनकी ज़िन्दगी में भी हो। नहीं मिलता तो छीनने की कोशिश करते है, बिना अंजाम की परवा किये। खोने के लिए वैसे भी कुछ नहीं उनके पास।
ड्राइवर: Simple है…. hmmm…. और Sir, आप को यह सब कैसे पता?
सुधीर कुमार: हर दो हफ्ते में घर जाता हूँ ना, काफी लम्बी drive है, तो सोचने के लिए काफी टाइम होता है मेरे पास।

Driver: Sir, have you ever seen anything like this before?
Sudhir Kumar: Seen too many like this.
Driver: No…I mean, yeah, there are many violent crimes, but not like this. How can someone do this to another person?
Sudhir Kumar: It’s simple, it’s economics. The bigger the gap between the rich and poor, the more the crimes. You see, the rich have brought more money into society but it’s not reaching the poor, so they try and take it. The result is more strife in society. It’s normal, it’s happening all over the world. Add to that the explosion of uneducated youth here, they have no sex education but get free porn online…which affects their adolescent brains. They don’t know how to interpret it. They objectify women and wish they could have that in their lives. If they don’t get it, they take it, with no regard for the consequences. After all, they have nothing to lose.
Driver: It’s simple…hmmm…and how do you know all this, Sir?
Sudhir Kumar: Every two weeks, I go home, it’s a long drive, I get a lot of time to think.

“Denzil Washington” in ‘Badla’?

Badla - Movie Review Paper Cutting

Be honest now — wouldn’t you be hysterical hearing the news that the ‘Baadshaah of Bollywood’ is paired with a Hollywood legend on a Bollywood movie, and to watch these stalwarts together on the silver screen, wouldn’t that be amazing? A freaking, Hindi language movie. The moment I read “Denzil Washington” in the cast of a review of Badla by a prominent national newspaper and a renowned film critic, my eyes almost popped out on the keyboard and nearly got squeezed between my dancing fingers. I brought myself back to my sense, and read the names once again. Both, Amitabh Bachchan and Denzel Washington are defining legends of our time’s all credit to their innate competencies, it’s needless to judge that both have garnered a cult following of their own in their respective realms and both have tons of awards to their name — an Oscar, nonetheless, for Washington. Crime & suspense thrillers are my personal favourites, and Badla seemed like one such taut suspense thriller if the Internet was supposed to be believed. This latest offering from Sujoy Ghosh has gained some rave reviews from critics as well, and I am particularly fond of his other creative craftiness such as Jhankaar Beats (2003) and Kahaani (2003), and the Radhika Apte starring short film Ahalya which was truly mesmerising. That Ghosh managed a casting coup of sorts by effecting a collaboration between two gigantic doyens in a Hindi cinematic experience was mind-boggling to read. In fact, it was so mind-boggling, that I didn’t trust the news in the first place, although, Ben Kingsley has acted opposite Amitabh Bachchan in Teen Patti (2010).

So then I checked IMDB, skillfully perused the Wikipedia page of the movie, and it wasn’t long before the shiny tiny bulb in my brain finally glimmered brightly. The actor in question was Denzil Smith, a distinguished Indian stage actor and a producer, not the renowned American legend I had truthfully imagined. No regrets, except, what seemed like a dream-come-true cinematic experience was, in fact, one hell of a typographical error, and faux pas that not only sent me on a wild goose chase, besides smashing my ambition of ever feeling the pride of enjoying Denzel Washington in a Hindi movie on a big screen. But who’s to know the future? Eventually, it did bring me back to my filmy duniya that’s Bollywood!

Chef And A Dil Chahta Hai Moment

Bollywood offers myriad stories & sequences including in refashioning original Hollywood movies for the Hindi audiences for diversion, however, there has also been a crop of official remakes in recent times, such as Bang Bang, Players, just to name a few. There was a moment in one such recent movie with Saif Ali Khan called Chef that caught my attention and which was probably missed by many viewers.

Chef is an official remake of that Jon Favreau 2014 classic of the same name which I probably watched a couple of times, about an uncompromising chef who quits his respectable job at a prestigious Los Angeles restaurant to go back to his roots and rediscover the happiness in his cooking. The remake follows the same course, save for Roshan Kalra (Saif) who embarks on his path to enlightenment from the USA to pristine Kerala, but alas, the movie loses the plot somewhere between Goa, Delhi, and that “Rottza” whatever, that people thronged to relish. In all the munching, the heartwarming, ‘slice-of-the-life’ delight which Favreau’s Chef provided was clearly lost its way in its Indic avatar raising more questions than amusement. As an instance, why do all of Bollywood’s ‘reputed’ chefs come from the UK (Cheeni Kum) or ‘Umrika’ and not from the Taj Mahals or the Oberois in India while experiencing the boredom of metro-life, moving to a rural place in India and rediscovering their true passion? I suppose it’s not prudent to decode Bollywood’s logic of life so regardless I just enjoy or dislike the show.

The Dil Chahta Hai Connection

Dil Chahta Hai - Chef Connection
Saif Ali Khan as Sameer and Beatrice Gibson as Kristine in a still from Dil Chahta Hai.

In the second half, there’s a fleeting mention of the Saif Ali Khan classic Dil Chahta Hai when Roshan Kalra recalls an embarrassing moment to his assistant Nuzrool in Goa about visiting the place twenty years ago with his two friends and getting robbed. Saif’s actually talking about his character Sameer visiting Goa (with Akash & Sid) and succumbing to his desires for Kristine who plunders his personal belongings in an outlandish situation. His mention of 20 years is a tribute to 2001, the year when Dil Chahta Hai was released! Chef may have truly gone south but this tiny detail provided the only bright spot for me.

Bollywood Has Embraced Content Cinema

Badhaai Ho - Bollywood Movie Poster

There’s Hindi cinema with content, and then there’s ‘candy floss’ entertainment bereft of sanity & imagination. ‘Content’ is what connects you emotionally with the characters and keeps you glued to the screen, it subsumes your inner desires & notions by presenting a totally different perspective. Although, content is considered hard to be digested by the audience & hence is assumed to only reach a certain class of moviegoers. In Bollywood where brilliant scripts have turned out to be virtual duds because the film lacked technique or the filmmakers handled the idea shoddily it failed to make an impression. While on the other hand, stories that have been picturised a million times previously generated more interest at the box office because the content got a different context to thrive. Take the case of Marathi film Sairaat which set the box office rolling as a prime example of content that struck a chord with the audiences with its nuanced acting and music, despite being a story about teenage love and patrimonial furore being rehashed several times in countless movies. Content requires a conscientious effort in juggling the myriad dots in designing a vision that enthrals the audiences through its characters & script while the actors fade in the veneer of the narrative.

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