Bikes, babes and battering blows, machoism and hip music; that’s Dhoom (excitement) for you. But unlike Dhoom, the prelude, which had John and his team modifying their mobikes and going for the loot, the sequel lacks substantially in a convincing plot (the script had inspired a gang of real thieves in Mumbai which were apprehended by the police some time ago). The mantra of the sequel seems to be gadgets and disguise and the story banks on both to move forward (ala The Saint). Therefore we have a hunk called Aryan (Hrithik Roshan), an elusive high profile con man, skydiving on a speeding train in the middle of the Namib Desert which is carrying the Queen’s crown. A few implausible acrobats later, the mission is accomplished successfully. Incomparable with the train dacoity sequence from the movie Sholay, the best in the history of Hindi cinema. But that’s for later.
Movies
The Statement (2003)
It was time to renew the passion of watching movies. The sinister look of Michael Caine on the cover of this DVD intrigued me to pick it up. So for this week, I selected The Statement (2003). The story of the movie is about frenchman Pierre Brossad (Michael Caine) who belongs to the Vichy police, without whom the Nazis could never have murdered some 77,000 Jews in France. Brossad himself is responsible for murdering 7 Jews in a daybreak assault in a village called Dombay. He manages to evade justice by absconding and remains undetected under the protection of the clergy. However, a team of Jewish hit-men supported by some individuals in the seats of power are on his trail to avenge the killing of their brethren, 44 years later. A ‘statement’ proclaiming the justice and the avenging of the death of the Jews would be left on his dead body. Judge Annemarie Livi (Tilda Swinton) and Colonel Roux (Jeremy Northam) are assigned the task of reviving the case against Brossad for crimes against humanity and bring him to justice. Clearly it’s now the case of who-gets-him-first – the bullet or the long arm of justice.
Caine in his interview had said that he’s never played a character he’s disliked so much and it proves in the portrayal. He’s displayed the cunningness of Brossad who always seems to cover his tracks, with the same aplomb as the sick individual who clenches his chest in pain while moving around and shooting his predators. The movie, is based on a novel by Brian Moore and inspired from a real life incident.
Don (2006)
I am back from my long vacation and it’s a great relief to have taken this break. The pleasant weather of Nasik has rejuvenated me to take on bigger things in life which I am expecting to be coming my way in the next days (or weeks). The salient feature of this current visit was the discovery of a vibrant and a youthful Nasik city, especially elating for me because Nasik is claimed to be a pilgrimage hot spot in India. The 3M syndrome seems to have finally hit this sleepy city now – the Malls, the multiplexes and McDonald’s, identifiable with the true blue globalized economy of India. Not to mention the other ‘M’ – the powerful Middle-class which was seen shopping at various places and thronging the streets for the Diwali celebrations. So thank god for not making me visit the Godavari ghats and the shrines this time around. BTW, you can view some of my favorite shots from the recent trip here.
Suspect Zero (2004)
Crime thrillers are my favorites and it takes little effort in selecting movies which deal in the subject, albeit of course staying away from those gory ones. Benjamin O’Ryan (Ben Kingsley) is gifted with telepathic qualities and is part of a secret government funded program called Project Icarus which looks into exploiting those qualities for military purposes. FBI Agents Thomas Mackelway (Aaron Eckhart) and Agent Fran Kulok (Carrie-Ann Moss) are assigned to look into the spate of murders in the country which O’Ryan is suspected of committing. The victims are all serial killers who are accused of committing various crimes. Mackelway and Kulok must find the real ‘Suspect Zero’ who wanders the country in a heavy truck and kidnaps children to his ranch.
A good plot but somehow, at the very onset of the film, it was difficult to piece together the puzzle and create a picture. Kingsley’s depiction of a man, trying to escape his extraordinary qualities which give him endless nightmares till the very end, is noteworthy. It’s unfortunately something which he was born with but couldn’t ‘shut it off’.
Lage Raho Munnabhai (2006)
Sequels are always looked upon with distrust both by the public and the producers. It’s especially true for such movies which have been successful in achieving cult status and hence raise a lot of expectations from the second portion. Indian film industry is thus very careful and does not believe in making epilogues because of the apprehensions over their triumph at the box office. Lage Raho Munnabhai (Carry On Munnabhai) will eventually break the ice and set an example of a sequel which is larger in canvas and better than the parent movie itself. It’s a runaway success at cinemas when I last read about it in the newspapers.